Aesthetics and the City (edited by myself and Amy Barron) engages aesthetics to explore the role of the city in urban experience. Drawing on diverse theories and global case studies, this edited collection examines how aesthetics relates to how cities and urban spaces are perceived, organised, and transformed.
You can read more about the book here: https://doi.org/10.4324/9781003335993
This book celebrates and ponders the wide diversity of aesthetic approaches within urban studies, noting that the way aesthetics is understood impacts what can be understood about cities and the urban order more generally. In its most general sense, aesthetics refers to our sensuous relation to the world. It invariably figures in how we make sense of the city and ourselves—bound to how urban life is experienced imaginatively, materially, socially, culturally, and politically. In an era where scholars have expressed concern at epistemological city-centrism, aesthetics is proposed as a versatile concept through which the centrality of the city to urban thought can be assessed. The book also explores how aesthetics intersects with a range of tangential concepts including power, the political, art, and affect. Ultimately it makes the case that this diverse ensemble of approaches to aesthetics can enable scholars to understand the city and its enduring relevance to urban thought.
This book focuses on the concepts of “aesthetics” and “the city” and will appeal to scholars and students in urban studies, human geography, planning, politics, and sociology.
We launched the book in early October. A playlist of the full event can be found here: